Monday, 19 December 2016

BROAD STREET, Newark, N.J.

Broad Street in 1941.
1949.
1969.
Market St. near Broad; Woolworth's on the corner in the 1970s.
Broad Street in 1909.
Broad Street in the 1940s.
Broad St. in 1953, showing the S. Klein Store and the new Art Moderne facade on McCrory's.
S.Klein on the Square still standing after many decades.

The Golden Age of Shopping: Downtown Newark
Essex County, history, Newark 
Written by NJ Historian

In a time before malls and regional shopping centers filled New Jersey's landscape, Newark was a prime shopping destination. Imagine hopping into the family car, on a bus, or train in the 1940s or 1950s and spending the day in Newark shopping, eating at restaurants, or watching a show. Crowds on busy streets passed by stores with large plate-glass windows displaying the newest fashions and most modern conveniences. While the intersection of Broad and Market streets, known as the Four Corners, was Newark’s commercial hub, just a few blocks away, the area around Military Park presented a different kind of experience  It was known as "Ladies’ Mile" for the stores that catered to the elegant ladies who bought the finest objects in America. 

This was the Golden Age in Newark. But as quickly as it came, it ended by the 1970s, when new indoor malls and big-box stores began to spring up in suburban locations such as Menlo Park and Bergen County. These behemoths of commercialization in Newark still stand today, battered by neglect, but still proudly displaying the names of the stores that were synonymous with downtown Newark. Yet, all good things must come to an end, and for the iconic buildings on two blocks of Broad Street between Cedar Street and New Street, their time has come.

This two block area of Broad Street, between Cedar and New Streets, filled with small shops and businesses, was a prestigious residential area in the 18th and 19th centuries, with mansions lining the streets. Gradually, the grand homes were replaced by shops and stores in the late 19th and early 20th centuries, as businesses attempted to move closer toward the rapidly expanding northern portion of Newark where the wealthier were settling. Broad Street became the most prestigious shopping area of the business district and contained the largest concentration of department stores in Newark, including Hahne and Company, Plaut's, Kresge's, and Goerke's. 

McCrory's

The McCrory's building on the corner of Cedar and Broad Streets, is a four-story, eleven bay, brick, rectangular building constructed in phases between 1892 and 1900. The Art Moderne, terra-cotta clad exterior that we see today on the front of the building was added in the late 1940s. The original brick, circa 1892, is still visible on the Cedar Street side, but all of the windows have been boarded up. A large sign, stylistic of the Art Moderne era, was over three stories in height and remains affixed to the building. The first floor also had a marquee that extended across the front and around the corner. 

The William V. Snyder Dry Goods Store, circa 1910.

The McCrory's building began its life about 1892 as the William V. Snyder Company Dry Goods Store. The store was built in a classical style with double-hung windows across the front in evenly placed fenestration. The top of the building had a pressed tin cornice and above the first floor windows was an entablature with a canopy. The William V. Snyder Dry Goods Store became part of Goerke's Department Store around 1923

In the early 1940s, a new tenant, McCrory's, opened in the space. Shortly after opening, McCrory's modernized the building's exterior in the Art Moderne style. McCrory's offered a restaurant on the 2nd floor and even had its own subway platform

In 1927, Kresge's, the department store on the opposite corner, opened a platform in Newark's subway at its basement level, allowing customers to come in directly from the subway. The station was opened in January on the inbound side. The only access was through the store. Kresge's was a general store similar to Woolworth's. The company now operates the Kmart chain.

The McCrory's store on the opposite side of Cedar Street followed suit and built a platform on the outbound side in August 1929, directly opposite Kresge's. Again, the only access was through the store. Since it was on the outbound side, this platform was used mainly as a store exit. The platforms drew people into the stores just to change cars between routes in the tunnel and routes out on Broad Street. The subway lasted until 1938, when the rails were paved over and buses operated in the subway until 1966, however historians believe that the platforms closed much earlier than 1966. Today, the McCrory's platform has been sealed, but the Kresge platform is still visible underground. McCrory's continued to operate in Newark until the mid-1970s.

The former McCrory's and S. Klein on the Square, 2013.

S. Klein

S. Klein, On The Square is an eight-story, five bay, skeletal steel frame structure with brick and terra cotta cladding. Newark architect William E. Lehman designed this building in 1923 as part of the Goerke's Department Store complex. On 2nd December 1937, it became Hearn's Department Store

James A. Hearn & Son, founded in 1827, at one point had been Macy's main rival in New York. Over the years, at least three additions were made to the rear of the building, resulting in a very narrow, but long building that forms an "L" at its rear along Halsey Street.

S. Klein, On The Square opened in 1949 in the former Hearn's building. The company was owned by Meshulam Riklis Rapid American Corp., who also owned the McCrory store chains. In addition to Newark, S. Klein stores were located in Alexandria, Maryland, New York City, and Virginia. At their Newark location, the company erected a large sign on the building facade and remains a local landmark. The "S." is two stories tall and "On The Square" covers an area over four floors in height. The name “On The Square,” means, “honest and straight up." 

S. Klein was a different kind of store, unlike its predecessors and the more upscale department stores in Newark such as Hahne & Company and Bamberger's. S. Klein's was a more economical shopping alternative and catered to the working class. In 1946, Time featured Klein's, providing some insight into how S. Klein's was different from other retailers:
"Klein's is not a pretty place. Its floors are bare. There are no saleswomen. Customers must select dresses themselves from the crude iron racks, try them on in crowded public dressing rooms. Klein's does not advertise—except to keep customers away on holidays when the store is closed."

S. Klein's operated its Newark store until 1976 and has remained vacant since.

Broad Street circa 1950s, showing the S. Klein Store and the new Art Moderne facade on McCrory's.

Schrafft's

The Schrafft's Building is a three-story, five bay, brick, Colonial Revival-influenced commercial building. It is located on the corner of Broad and West Park Streets. Constructed in 1933, Schrafft's was a chain of high-volume, moderately-priced New York restaurants connected to the Schrafft's food & candy business of Boston. They offered large, pleasant dining rooms "in the better areas," which often attracted women who were in these areas for shopping, such as "Ladies Mile" in Newark. Women out for lunch represented the bulk of the customers at Schrafft's restaurants. Schrafft's was one of the first restaurant chains to perfect a "signature style" of interior decor including walnut woodwork and early American period furniture. Most of the Schafft's chain closed by the late 1970s, including the Newark location. The building was vacant for a number of years after its closing. The upper floors have remained vacant since at least 1985 and sometime after 1985 the 1st floor reopened as a retail operation called "Beauty in Everyone."

Wiss Building

The Wiss Building is a ten-story, three bay, "L" shaped building constructed in 1910. It was built for the Wiss Company, a Newark-based manufacturer of scissors, shears, and retail jewelry. At the time of its construction, it was considered one of the tallest buildings in Newark. Its front façade was constructed of limestone, glazed terra cotta, marble, and pressed metal. Originally, the first floor boasted one large storefront with offices above. Over time, the 1st floor was subdivided and the marble front removed, replaced by a variety of commercial signs. Architect Henry Baechlin, who also helped design Symphony Hall, designed the Wiss Building. The ground floor housed the Wiss Jewelry Store, the retail division of the scissor and shear manufacturer. The 1935 and 1940 Newark City Directories list the Lee Anna Hoisery Shop and the Broad Street Linen Shops. In addition to its scissors and shears, the store sold china, watches, diamonds, and silverware. The company commissioned their own line of Lenox and China under the name Wiss and Sons. The store's motto was "a diamond for every purse." Smaller retail establishments and professionals rented the upper floors.

The Wiss Company was founded in 1848 by Jacob Wiss. The Wiss' products were high-quality and sold to the U.S. Government during the Civil War and both World Wars. The Wiss factory on Littleton Avenue in Newark opened in 1887. By 1914, Wiss acquired the manufacturing facilities of a competitor and became the world's largest producer of fine scissors and shears. The company was purchased in 1976 and the manufacturing facilities left Newark a few years later. The Wiss Building was owned by the family until 1956 when it was sold to a New York real estate developer. The store remained in the building under a long-term lease. It is unknown when the store finally closed, but it is possible that it remained open until the company was sold in 1976.

Art Moderne Building

The last historic building on Broad Street to meet the wrecking ball is an Art Moderne Building built circa 1930. The building is a three-story, single bay building with a curved corner entrance. The exterior of the building is limestone and is characterized with an organic chevron-ornamented frieze and an overall horizontal emphasis. This sleek building housed Loft's Candy Store in 1935 and other retail stores on the upper floors. In the 1940s, the first floor housed Jordan's Ladies Wear. In the 1970s, the building was substantially renovated to house King's Sea Food and more recently Planet Wings. These later renovations gutted the building of its historical integrity.

The Broad Street streetscape has changed numerous times since the first commercial buildings were built in the late 1800s. As time passed, uses evolved and the size and configuration of the buildings made them undesirable for new tenants. Newark as a whole suffered from the growth of suburban shopping centers in the mid-1960s and 1970s. Once suburban sprawl took root, the once-popular department stores of Newark lost their allure. In addition, soaring crime rates and the rise of undesirables in Newark contributed toward this decline. Despite attempts to renovate and rejuvenate the sites, only the first floor retail shops remained viable and in some cases, the buildings never reopened. Some buildings were more fortunate. Kresge's was renovated and now houses retail and offices. Others, such as Hanhe's & Company, sit idly, waiting to saved. By late winter 2013, the two block area of Broad Street, between Cedar and New Streets, will be reduced to rubble. In their place will rise a modern glass and steel office high-rise, the future headquarters of the Prudential Insurance Company, which has called Newark home since 1875. Perhaps this new development will spur the preservation and rehabilitation of the remaining stores and shops that once made Newark a grand city.


commentsColin Coghlan says: 26 February 2013 

I am a real estate appraiser and I appraised the Schrafft's building in 2008. The second floor had the remains of the original decor, but had been damaged by years of neglect. I always wondered what it was, maybe a restaurant or club but I never put much research into it. I have one or two photos if you're interested.

Anonymous says: 26 February 2013 

Thanks for the timely coverage on most of the buildings along Broad Street between Cedar and New streets. I remember McCory, S. Klein, Schrafft's and (not covered) Lowe's movie theaterMy mother was a clerk at a nearby religious store circa 1968-72 whose duties included keeping the storefront boa constrictor. She regularly bought mice from McCory's pet section to feed the boa. McCory's mice sized cardboard pet carriers bore the slogan: I'm Going to a New Home!

Frank Colin says: 13 March 2013

Schrafft's was a chain or restaurants with candy and baked goods departments. The front of the 2nd floor was a dining room, painted an antique white with (I think) gold trim. Behind that room was a Men's Grill, a room for businessmen to dine. I recall a staircase and an elevator to the 2nd floor.

The front part of the 1st floor featured counter-service on the left and the candy-baked-goods etc. on the right. The walls were wood-paneled (real wood!) and had Colonial wall sconces. Behind that section of the building was another sit-down dining room which was formal, like the one upstairs. It was also done in an off-white, with built-in mirrors. Arched window dividers separated it from the counter-store section. I remember a dumb waiter that brought food up to the counter, and there was a kitchen behind the 1st floor dining room.

I went there first a kid with my grandmother as so many others did. I used to go all the time because I loved the place. It was great. Frank

Carol, an old Jersey girl in Calfornia says:  24 April 2013 

Spent many weekends with my aunt and uncle in Newark as a child. My uncle worked in Bamberger's, my aunt at Bell Telephone Co. as a service rep. Loved going to all those stores with my aunt back in the day. Side note: my uncle was a Heinisch, the Heinisch company was the "competitor" bought out by Wiss. 

Ken says: 13 August 2013

Just a couple of notes about the Wiss Building. Like many retailers downtown, Wiss Jewelers saw their business tumble after the riots of 1967, and by the early 1970s the store warned that it might leave downtown. In December of 1972 a fire destroyed a portion of their store, a single story china-crystal and gift showroom that fronted on West Park Street. The entire store remained closed after the fire, and in January 1973 they made it official that they would not reopen downtown. A beautiful street clock that stood opposite their Broad Street entrance was moved to the front of their store at the then, outdoor Mall at Short Hills.

Prudential Girl says:  8 November 2013 

I love this article. I was there in the 50s, going by bus to get winter clothes before school started. It could be 90 in September, but you had to wear corduroy, no summer cotton would do. And no white shoes after Labor Day. Then in 1964 I started at Rutgers, before all those new campus buildings were built. I walked all over the place getting from class to class. Then after graduation, I worked at Prudential for many years, left and returned to finally retire from Pru. Ah, the memories!

HistoryBuffNC says: 21st January 2014 

I really enjoyed this article, although the closest I have come to Newark's downtown is passing through the Airport! The story of this downtown shopping area and the community it served is archtypic of many American cities. I noted sadly the large numbers of people in the 1910 and 1945 photos, and the utter wasteland of the current images. By the way, from the year models of the cars in the '45 pic, I believe the photo dates from the early 1950s. With high taxes and high wages and high pension costs our US industries and retail cannot compete with China and India etc. Sadly our American Dream is fading fast and we are seemingly unwilling as a nation to make the tough changes to stop the decline. Anyway, nice job on this story, History Girl, thanks for you effort. Good luck in 2014 to us all.

Unknown says: 28 August 2016 

I grew up in Orange in the 1950s. In those days very few stores were open after 6 pm. Gradually the practice developed that each town would be open one night per week. Orange on Monday, Bloomfield on Tuesday, etc., etc. However, no other town would bother to be open on Wednesdays, because that was the night that Newark stores were open! We took the Park Avenue bus to the City Subway, and then rode downtown. And yes, there were no buses in the tunnels by the early 1950s, just the #7 City Subway. Thanks for the memories!

Natasha says:  25 January 2017 

I worked at McCory's!!!! Wow, I am not so young anymore. I worked there for 2 years when I was 16 and in high school. I was the "Contact girl" because I measured the Contact paper people used to put on walls or anywhere else. It was located in the fabric department which had rows and rows of material. Mr. Gilbert was the manager; sweet older man. When the assistant manager came around we girls would put fabric in front of us for folding because he was a bit of a perv. Poor Miss Rose got caught stealing from that very old fashion cash register. It was old back then and would be an antique now. As a teenager I never noticed what the outside looked like. I made $2.00 an hour. I am still best friends with the girl I worked with there. Memories!

Unknown says: 8 April 8 2017

OMG, how fast life goes by; I went back in time reading everyone's comments. I would always go with my mother to her favorite store named Walworth I think it was called the 5 and 10 they had the best pizza then when I was18 I got my first job at burts department store on market st. where did time go im 55 and it feels like it was just yesterday..memories

Alicia W says:  22nd July 2017

I have Goerke's hats in boxes and was looking for more info and you were the first of many that at least supplied some info. Thanks.

Unknown says:  27 October 2017 

Very interesting info about buildings that I had been in often, back in the day. My late Mom worked at Woolworth's, Klein's, McCrory's & Hahnes in the 60s & 70s. I particularly remember going downtown around the 'Xmas season when that area of Broad St was alive & irresistible to a young kid like myself. As a teen, I remember the Adams Theater on Broad also. Then, as an Art's High student, I was through downtown pretty much 5 days a week. Thanks for the memories.

Heritage Hall says: 4 March 2020 

As a child, it was Bamberger's wonderland. The corner window on both sides, Market & Halsey Streets had the most wondrous Christmas display of "The night before Christmas" with a mechanical doll family acting out the poem. I stood for hours going from one street to the other peering into the windows - first half played out on Market turn the corner and watch the second half on Halsey. I can still hear that poem set to music appropriate to each window that wafted overhead. This was the 1940s, a time I was blessed to observe. On an upper floor there was a bank of sound proof booths where, after selecting a record album, one could play it on a phonograph provided for "testing" before buying. Bless the Bambergers for their vision.

Unknown says:  6 June 2020 

Thanks for the memories! I shopped in Newark as a teenager. Took the bus from No. Arlington. Bought all my fabric at a store on Halsey. I worked in Hahne’s from 1973 to 1975. First as a soda jerk and then as a waitress (pink uniforms) in the upstairs dining room. Miss Mock was the boss. Sometimes deveined massive bowls of shrimp in the downstairs kitchen (I hated those Saturdays!). I think they had counter-service down there as well. I was then moved to the shoe department. Stayed there until I graduated college (FIT in NYC). The area was already getting dangerous by then.

Chicago Girl says: 14 August 2020 

Went shopping many times with my mom. Gramma lived on Stirling Street by the courthouse and we would walk to Bamberger's and Klein’s on the square. Coming home was tiring because Springfield Ave and Stirling St were uphill. Later Gramma moved to 13th Streett off Springfield Ave., near Westside Park. Great memories fishing in the lagoon. What a beautiful park it was with all the arbors and stone bridges. A nice walk down memory lane for this Chicago girl.
2022 photo of the building that housed Kreges Department Store and later Two Guys between Raymond Boulevard and Cedar Street. 

Saturday, 10 December 2016

Olden Newark citizens

Max Schwartz, 8 years old, and Jacob Schwartz selling paper in Olden Newark.
Two workers at Newark Milk & Cream Co. in the 1940s.
Delancey St. corner Jefferson St. in June 1961
Delancey & Jefferson Streets.
On Washington Street in 1942; 'Pardon my sarong' playing at the Empire was released on 7 August 1942. 
Market Street in 1926
corner of Market Street and Broad Street in 1926. See the South Orange tram car.
Broad Street in 1909.

Sunday, 4 December 2016

Market Street, Newark


Newark's Paramount on Market Street. 
Newark's Paramount Theater plays 'Days of wine and roses' with Jack Lemmon & Lee Remick released on 26 December 1972
Market Street & Raymond Plaza in 1961
Market Street meets Raymond Boulevard.

Sunday, 6 November 2016

Newark N.J. sons & daughters - Connie Francis

'This is your life' MC Ralph Edwards surprises singer Connie Francis introducing her 4th grade teacher Ms Ida Charles from Newark, N.J. on 15 May 1961.
Ralph Edwards and Bobby Darin (real name: Walder Robert Cassotto) who used to woo Connie Francis (Concetta Rosa Maria Franconero ) when she still lived in Newark, N.J. in the mid-1950s.
Bobby Darin performs at the Mosque Theater, in Newark, N.J. on 13, 14 & 15 November 1959; Teddy Randazzo and Jo-Ann Campbell of 'I ain't got no steady date' were also in the bill. 
Connie having breakfast with Dad, Mum & her secretary Joyce Becker in Newark, 1960. 
Connie with both Mum & Dad plus UK DJ Lonnie Starr in London, 1960.
Marty Allen & Mitch De Wood (pre-Steve Rossi) at the Broadway Lounge in Newark in 1959

Sunday, 9 October 2016

6th Avenue - 1970

Sixth Avenue near Waverly Place looking North in October 1970Waverly Place is a narrow street, in the Greenwich Village section of Manhattan borough, that runs from Bank Street to Broadway.
Sixth Avenue with 33rd Street in the Summer of 1971

Friday, 30 September 2016

Fixing up to fly to the USA

Rua Brigadeiro Tobias, 613, 2nd floor - at Luz, São Paulo in 2020. 
 
It's awesome to be able to look at a picture of what was my travel agent's office building through Google's GPS. Hers was a one-room office on the 2nd floor in which she had her desk in the centre of the room, a telephone and a couple of file-cabinets. There was a lift with scissor gate always parked on the ground floor. The outside of the building was plastered with plain-cement (now it's covered with off-white tiles).

I remember the first time I entered her office with the door that opened to the hall always open, with Ms Wielenska sitting at her desk with her back towards the window which looked onto rua Brigadeiro Tobias.

She was very meticulous in the instructions she gave her client regarding the various steps one should take to behave like an international citizen when one had to go through imigration and customs. Since the very beginning I felt we had a partnership: she'd give the plot and I would follow the lead. She asked me about my job history and I told her I had been working as a clerk at Sao Paulo's Bar Association for a year.

It didn't take Licia long to come out with a fautless plan on how to secure a US entry-visa for someone in my circumstances. As I had been working at that office for a year nothing more natural than to spend my yearly-vacation visiting the USA. I would spend 3 weeks in New York City and Washington, as there was a free-of-charge trip from NYC to Washington to those who purchased a Rio-NYC-Rio ticket. She told me I had to prepare myself psychologically for I might be  summoned by the US Consulate to be interviewed personally.

Licia was a Capricorn, born on 16 January 1933. That's why we hit it off as soon as we started our business. She was a 38 year-old lady who had a 10 year-old daughter. I never knew much about Licia's private life but I knew she cared. Every time she spoke the word 'aeroporto' (airport) she mispronounced as 'arioporto' which is not really uncommon but made it more conspicuous in Licia's case due to her business being centred around airports. 

Whenever Licia explained something related to air-fare prices and she had to show how much a cruzeiro was worth in US dollar she wrote the @ symbol. Like, Cr$... @ US$... is equal to: That was the first time I ever saw the symbol @ being used - 40 years before it became a daily affair with the advent of the Internet

Nino & I 

Ever since Nino & Myself left the Army in mid-1968, we drifted from job to job. I had worked as a typist for newspaper 'Folha de S.Paulo' for six months while Nino had been a clerk at Mappin, a great department-store in town which his own father had worked before retiring. Nino was notorious for not holding a job for too long. He was too unconventional to last at any position. He would start alright, become the star of the office but soon enough he would grow bored with the mortifying routine and did something outrageous. Then he would be invited to leave or he himself left with no misgiving. There was another time when he worked as a clerk at Club Athletico  Paulistano, a social club for the upper class on Rua Honduras. I remember I went there to see him one day and he left the Club through a gate on Rua Estados Unidos, next to Rua Augusta. Needless to say he didn't last long there either. These 2 jobs was all Nino held during the time we were friends. 

After a bad spell with no work, I was lucky to have found me a fairly good paying job as a clerk at Sao Paulo Bar Association (AASP) in April 1970, at Largo São Francisco, at the heart of the city. Once I settled there I was adamant to make that old dream of going to the USA come true. 

At that time in 1970, Nino met José Luis aka Pepe, a Spanish young man who was on his way to California where he planned to establish himself for a few years. They had a hot romance in São Paulo and Pepe promised Nino he would wait for him in San Francisco as soon as he got settled there. I thought Nino would speed up our plans a little but I was completely mistaken. As soon as Pepe left for the US and the novelty wore off, Nino went back to his old bad ways of 'living for today'. So I made up my mind: I would stop talking to him about 'going to the US' and work my way towards this goal in utter silence

We still met often but I was mum! Nino usually showed up at lunch time at Largo São Francisco; we would have a bite at some eating place and talked for 2 hours. Sometimes he showed up in the evening and we talked until we dropped. But I never breathed a word about my plans. I knew it wouldn't do any good. And I was right.

Around May 1971, I hit the big time when Fernando, my older brother, came home one day and said his friend Bernardo Cerântola who had gone to live in the USA, was back here. He and a friend of his had lived in the New York City area for a whole year (1970-1971) and told wonders about the place. I begged Fernando to ask Bernardo details on how he managed to make that trip. 

Two days later, Fernando came home with a scrap of paper with the address of a travel-agent in town who took care of all the paper-work. I went to see her immediately, had a long talk with her; I must confess I liked Licia at first sight and decided to do whatever was to be done to get mission accomplished. Mind you, I kept Nino in the dark about the whole thing. I was afraid he would find fault on the project as he was known to do and abort the plan.

Rua Brigadeiro Tobias corner with Rua Washington Luiz at Luz, São Paulo in 2020.

I was in a really happy and excited mood in the ensuing days. I asked Licia the price of the air-fare; US$ 1,600 which was a lot of dough in 1971. She said I could pay on instalments. But that was not exactly my main concern at the time. I had to put Licia's plan into practice. The first thing I did after talking to Mum & Dad, was to have a little conversation with Yvone Biolcatti, my boss at AASP. I told her about my plan to travel to the USA and try to stay there the longest possible. I told her I would have to get a letter from our employer stating I intended to visit the US during my 4-week annual leave in October. As Yvone was exectutive secretary to the board of director she had some clout and explained my plan to Dr. Antonio Carlos Malheiros. He wanted to see me personally, so I was summoned into the room and told him the whole thing. He was sympathetic to my plan and agreed to sign a letter addressed to the US Consulate stating I would visit their country as a deserved vacation from work. That must have been August 1971

I went back to see Licia with Dr. Malheiros' letter, my passport and proof of income from the bank from which I got my monthly pay. Licia sent it all to the Consulate and waited for their reply which didn't take long. By early September I went to the US Consulate at Conjunto Nacional, on Rua Padre João Manuel corner with Avenida Paulista to be interviewed by some official there. I think I was interviewed by the vice-consul himself. I remember he smoked a pipe, which was unusual in Brazil. He seemed to be a calm person and I felt at ease with him. He asked me whether he could pose the questions in English and I said yes! He wanted to know why I wanted to visit the USA. 

I had all figured out before I got there. I told him I admired the American democracy; I said something about Abraham Lincoln and righteousness, even though I didn't use this exact word. I think the vice-consul was positively impressed by my discourse which was given in Portuguese. I felt he was rather friendly towards myself; after a while he told me to wait outside. I went out and sat in the main room with other people waiting. It didn't take long for my name to be called out by a clerk at a counter. She gave me my passport back with an Entry Visa to the USA valid for 3 months. All of a sudden I was walking on clouds. I said 'Thank you' and left the office almost like Gene Kelly in 'Singing in the rain' or Julie Andrews in 'The sound of music'.

It was a little before noon. I walked Avenida Paulista, turned right on Rua da Consolação, walked two blocks down, turned left at Rua Maceió and right again at Avenida Angelica, where my Father worked in the back lot of an Orthopaedic Clinic. From his workshop in the back I could see the back of Teatro Record, on Rua da Consolação.  

This is where I leave off describing how I managed to get things fixed up to travel to the USA. I ended up staying there much longer than 3 weeks but this I have told somewhere else in this blog.    

After coming back from my American experience in late March 1973, I kept in contact with Licia paying her a visit whenever I needed to exchange dollars into cruzeiros. Every time I tried to go back to the US, Licia was the one I headed to. Some time in the latter part of the 1970s, Licia decided to visit the USA herself. She flew 'low season' to visit Newark, New York and Washington. It must have been January or February for while Licia walked on the icy sidewalks she slipped, fell hard on the floor. She ended up breaking a leg and was in deep trouble for she had to pay top dollars to have her leg fixed and plastered. Her winter holiday was over and she flew back to Brazil as soon as she could.

Licia told me she had dinner with Tia Eugênia. They seemed to like each other and probably made business too. Licia also had a special friendship with Haroldo Cunha, who had been living in 'America' for quite some time. These are the only people I remember Licia quoting.
Hotel Terminus on the corner of Rua Brigadeiro Tobias and Rua Washington Luiz in 1939. It was the most luxurious and sophisticated hotel in the city. It was opened in September 1922, and quoted by the New York Times as being one of the best hotels in South America.

Hotel Terminus was impounded by the federal government of President Getúlio Vargas in 1943, maybe due to overdue taxes. The owners built a new hotel on Avenida Ipiranga but the shine was gone.

Uma foto dos artistas modernistas de 1922, no hall do Hotel Terminus, é constantemente informado (erroneamente) ter sido tirada durante a Semana de Artes Modernas de 1922. O que obviamente não é verdade pois o hotel foi inaugurado alguns meses depois desse evento.
Rua Brigadeiro Tobias which starts off Praça do Correio in 1947. See Água Raza bus #60.
Passengers queue up to enter the tarmac of Congonhas Airport in São Paulo to board their planes while relatives and friends wave them goodbye from the balcony in the background. That's exactly what happened to me when I flew to New York even though it was already dark when I boarded the plane bound to Rio where I boarded a bigger jet that flew overnight. 
Congonhas Airport in 1959, seen from yet another angle... before the appearance of those tube that connect passengers straight into the airplane... 

Wednesday, 21 September 2016

Crazy Eddie

WPIX-FM DJ Jerry Carroll & Crazy Eddie. 

Eddie Antar, retailer and felon who created ‘Crazy Eddie’, dies at 68


Eddie Antar, the Brooklyn-born man who created the chain of Crazy Eddie electronics stores only to watch it collapse when an underlying fraud was exposed, died on Saturday, 10 September 2016. He was 68.
His death was confirmed by the Bloomfield-Cooper Jewish Chapels in Ocean Township, N.J., which did not say where he died or the cause.
Mr. Antar, who was born on 18 December  1947, grew his business from a single Brooklyn store, founded in 1969, into the largest consumer electronics chain in the New York metropolitan area, fueled in large part by the spread of the VCR. At its peak, the chain had 43 stores, with locations as far north as Boston and as far south as Philadelphia.
As it expanded, Crazy Eddie also became famous for a memorable series of commercials starring an exuberant, fast-talking man many falsely believed to be Mr. Antar himself.
The real star, a radio disc jockey named Jerry Carroll, performed in more than 7,500 radio and television commercials that ran for nearly 14 years, starting in 1975. The commercials always ended in the same way, with a signature touting of Crazy Eddie’s “in-s-a-a-a-a-ne” prices. The comedian Dan Aykroyd lampooned the advertisements on “Saturday Night Live.”
In 1984, Mr. Antar took the business public at $8 a share. Within two years, its stock price would hit $79 per share. At its peak, Crazy Eddie reported annual sales of more than $350 million.
But that success was illusory. In 1987, dissident stockholders staged a takeover of the company. Within two weeks of the acquisition, they said they had discover that $45 million in merchandise was missing. At the same time, federal prosecutors were building a case against Mr. Antar, charging that he had defrauded shareholders through stock manipulation.
In the end, the authorities accused him and two brothers of skimming cash and infating the value of the company. Even before going public, Mr.Antar would fly to Israel with cash strapped to his body as part of the skimming scheme, they said.
In 1990, Mr. Antar fled the country. He was found and arrested in Israel two years later, then extradited to the United States.
Sam E. Antar, a cousin of Eddie’s, was the company’s chief financial officer. He pleaded guilty to fraud and testified against Eddie, describing how the company inflated inventory and sales figures. He later became a consultant to government agencies investigating accounting fraud.
In a plea bargain, Eddie Antar pleaded guilty to one charge of racketeering conspiracy and served nearly seven years in federal prison. His brother, Mitchell, pleaded guilty to a count of conspiracy and a count of making false statements and also served time in prison.
In 2001, Mr. Antar joined with some former associates to remake Crazy Eddie as an internet company, but the effort ultimately fell apart.
Despite its demise, the Crazy Eddie chain became an enduring symbol for bargain-basement retail. “Futurama,” the animated series about a New York City pizza deliveryman living a thousand years in the future, for example, features a car-dealing robot named “Malfunctioning Eddie” known for “insane” prices.
The crimes aside, Mr. Antar had his admirers. On Sunday, several people posted comments to a Facebook page for former Crazy Eddie employees acknowledging his flaws, while remembering him fondly.
Larry Weiss, who helped create the chain’s iconic commercials but left years before its collapse, remembered Mr. Antar as a complex man.
“He was a character. He was very charming, charismatic, very powerful, very decisive. He was an incredible leader,” Mr. Weiss said in an interview. “Really everyone in the company idolized him. He was a very cool guy. And then there was the dark side that got him into trouble.”
Mr. Antar is survived by four daughters, Simone, Nicole, Noelle and Gabrielle; a son, Sammy; two brothers, Mitchell and Allen; and a sister, Ellen Kuszer.