Saturday, 28 March 2015

Alison Steele, the Night Bird at WNEW-FM

Alison Steele, the Night Bird of WNEW-FM, is the most successful female disc-jockey in the country. 

Current ratings show that, in any given quarter-hour of her show more than 100,000 people are tuned in to the station. Why do so many people stayed tuned into her ‘nightly excursions’ (Monday through Saturday, 10 p.m. to 2 p.m.) ? One listener said: ‘She has some sort of irresistible quality about her. You can easily fancy her to be something larger than life.’

How did she get where she is? ‘You just don’t become great overnight. You’ve to work at it. If what you want  is tough to get, you have to fight for it. It has taken me 7 years of hard work to get where I am right now. However, I don’t think I’ll ever be satisfied. Each night I try for a higher plateau and I think my audience responds to my trying.’

Her deep, resonant voice is distinctive. She has been called a temptress, and a writer has asserted that she could make a commercial for gym socks sound sensuous.

Finding the bright side

‘I have an optmistic philosophy,’  Alison said. ‘I’ve always gone by the idea that there’s something fine in life, but you have to make the effort to find out what it is.

‘I’m tired of people bitching and moaning that they can’t get a break. I abhor negativism. I’m positive about everything I do. We’re so used to the negativism that has crept intyo our daily lives, all we can do is put down others who are honestly trying.’

Where did Alison Steele get the nerve to challenge this tough, competitive industry?

‘It was my mother’s influence actually ,’ Alison said with a smile. ‘She taught me a very simple rule: if I wanted something, all I had to do was go and get it. She helped me get self confident when I was 14. There was an ad in our local paper  for a tall good-looking girl to fill a part-time slot. I was neither tall nor pretty, but my mother told me to go and get it anyway. I went down, bluffed my way in then worked hard until I got it right. I was off to a great start.’

Now, aside from her radio excursions as ‘The Night Bird’, Alison does one other rock radio show, syndicated to 600 stations, a radio show for women, and a TV talk show broadcast over the Sterling Cable TV network that is seen by 55,000 viewers in the New York area.

Happy where she is

Can success spoil Alison Steele? ‘Not really,’ she replied. ‘I have a lovely job, which is most gratifying, and I love making a lot of money.’ Alison declined to say just how much money she makes.
Alison does quite a bit of work for local charities. She’s a member of the board of the New York City Chapter of the Epilepsy Foundation, gives a lot of time to the Muscular Dystrophy Foundation and is on the credit committee of the American Federation of Television and Radio Artists.

Her days are busy. She has to listen to the new albums, takes care of personal errands, auditions for commercials and still finds time to answer each fan letter.

‘I’ve hundreds of letters at home I still have to answer. My biggest regret is that I’m 6 to 8 months behind in my replies. But I’ll catch up, I promise.’

‘People call me because they’re lost or upset,’ Alison said. ‘I try and point them in the right direction of self-help and love for oneself. I stress the idea that if you’re positive about things, you’ll enjoy what you have all the more. People call me when they have nowhere else to turn and I’m glad I can help. When I do hear from someone who’s troubled I’m patient and understanding. I listen, ask no names and just give my particular brand of advice. I usually hear from those I’ve spoken to a while and they thank me. God, that makes me feel good! It’s fine to know you’ve helped somebody, somewhere, sometime.’

SUNDAY NEWS 17 February 1974

By K. Michael Blumberg

Thursday, 26 March 2015

Pete Fornatale, DJ at WNEW-FM

DJ Pete Fornatale with a voice of gold...

Peter ("Pete") Fornatale was born 23 August 1945. Died 26 April 2012 in New York City. He had suffered a brain hemorrhage April 15, 2012 and had been in ICU.

He was the first DJ to host a rock music show on New York City's FM band, starting in 21 November 1964 on WFUV. By broadcasting progressive rock and long album tracks, he was noted for introducing a musical alternative to Top 40 AM radio in New York in the late 1960s and early 1970s. 

He gave early exposure to country-rock bands like Buffalo Springfield and Poco, and did one of the first American interviews with Elton John.

Starting with WOR-FM in 1966, FM was demonstrating a large rift from AM broadcasting. 

Fornatale was a key figure in this trend with his weekly program, "Campus Caravan," which was heard on Fordham University's WFUV from 1964 to 1970

He began professionally in 1969 at WNEW-FM and also worked at WXRK.

He was a native of the Belmont section of the Bronx and attended Fordham Preparatory School and Fordham University, where he received a B.A. in Communication Arts in 1967. 

Pete Fornatale, James Taylor & JOP.

Pete Fornatale, a Pioneer of FM Rock, dies at 66

by Douglas Martin
27 April 2012

Pete Fornatale, a disc jockey who helped usher in a musical alternative to Top 40 AM radio in New York in the late 1960s and early 1970s, presenting progressive rock and long album tracks that AM stations wouldn’t touch and helping to give WNEW a major presence on the still-young FM dial, died on Thursday, 27 April 2012 in Manhattan. He was 66. The cause was complications of a stroke, his son Mark said.

FM radio had been around for a while but did not come of age until the 1960s, when, amid the whirlwind of a growing counterculture, the federal government mandated that FM stations carry different programming from that of their sister AM bands. Enterprising D.J.’s grasped the chance to play longer, fresher, rarer music and give voice to the roiling political and social issues of the day.

Mr. Fornatale was at the forefront of the FM revolution, along with WNEW-FM colleagues like Scott Muni, Rosko, Vin Scelsa, Dennis Elsas, Jonathan Schwartz and Alison Steele (who called herself “the Nightbird”). They played long versions of songs, and sometimes entire albums, and talked to their audiences in a conversational tone very different from the hard-sell approach of their AM counterparts.

WNEW-FM may have been the most influential experimenter. When the station dropped rock music for talk radio in 1999, Billboard called it “a legend, affecting and inspiring people throughout the industry.”

Mr. Fornatale (pronounced forn-a-TELL) had actually beaten WNEW to the punch. As a sophomore at Fordham University in 1964, he persuaded the school’s Jesuit leaders to let him do a free-form rock show on what was officially an educational station. He continued that show for a few years after he graduated, and for a while could be heard on both WFUV and WNEW.

WOR-FM became the first commercial station in New York to adopt the format, in 1966, but abandoned it after about a year. WNEW, with the slogan “Where Rock Lives,” adopted it in 1967.

Mr. Fornatale came on board in 1969 and quickly moved to the center of New York’s music scene. He gave early exposure to country-rock bands like Buffalo Springfield and Poco. He did one of the first American interviews with Elton John, and got a rousing ovation when he brought a rented surfboard to Carnegie Hall for a Beach Boys show. He introduced Curtis Mayfield to Bob Dylan at a Muhammad Ali fight.

In 1982 he started “Mixed Bag,” a program that emphasized singer-songwriters, on Sunday mornings. His regular guests included Suzanne Vega, who introduced herself to him by sending a fan letter.

One of Mr. Fornatale’s signatures was playing songs that followed a theme. It might be colours, with a playlist including the Beatles’ “Yellow Submarine” and Joni Mitchell’s “Blue.” Or it might be great inventions, as when he celebrated the 214th anniversary of the United States Patent Office. Or the theme might simply be radio.

Peter Fornatale was born in the Bronx on 23 August 1945, and graduated from Fordham Preparatory School, on the campus of Fordham University. His introduction to rock ’n’ roll came in 1956 when his father summoned him to the television to see “this crazy guy” — Elvis Presley. The first record he bought was Presley’s “Hound Dog.”

Mr. Fornatale graduated from Fordham with a degree in communications in 1967 and taught English at a Roman Catholic high school before joining WNEW. His voice drew praise for its mellow, almost professorial tone, although some listeners may have chosen to describe it as nasal.

By the early 1980s, stations specializing in what had been known as free-form radio were bringing in business consultants who urged less variety in records and more control over the disc jockeys. Mr. Fornatale later complained that he and his colleagues had been demoted from chefs into waiters, “and fast-food waiters at that,” as he told The Record of Bergen County, N.J., in 1999.

He left WNEW in 1989 to follow the station’s program director to WXRK-FM (K-Rock), which followed a more conventional approach to pop music. Mr. Fornatale’s show came on after Howard Stern’s. Mr. Stern, whose shock-jock format was becoming radio’s new wave, called Mr. Fornatale the “anti-Stern.”

In 1997 Mr. Fornatale returned to WNEW-FM, which had decided to go back to album-oriented rock after a succession of owners and formats. But within a year the station had changed formats again, to talk. In 2001, Mr. Fornatale returned to where he had started: WFUV. “I love the idea I’ve come full circle,” he said.

Mr. Fornatale wrote several books, including one on the making of Simon and Garfunkel’s 1968 album “Bookends,” and one on the Woodstock music festival. He was also the main writer for a series of 600 trading cards on the life of Elvis Presley.

He had lived for six years in Rockaway, Queens, and the previous four decades in Port Jefferson, N.Y.

Mr. Fornatale’s marriage to Susan Kay Flynn ended in divorce several years ago. He is survived by his sons, Peter, Mark and Steven, and his brother, Robert.

His WFUV show, which like his earlier WNEW singer-songwriter show was called “Mixed Bag,” ran from 4 to 8 p.m. on Saturdays.

“If you give me the right idea for a program,” Mr. Fornatale said in 2004, “I can give back to you a three-hour journey where, if you tune in at any time, you’re likely to hear something that will entertain you. But if you take the ride with me, when we get to the end, you’ll say, ‘Wow, what a long, strange trip it’s been.’ ”

A version of this article appeared in print on April 27, 2012, on page A19 of the New York edition with the headline: Pete Fornatale, a Pioneer Of FM Rock, Dies at 66.

Vin Scelsa or Vincent Anthony Scelsa was born 12 December 1947 in Bayonne, New Jersey and was at "the forefront of the FM revolution".

Wednesday, 25 March 2015

1971 movies (Shaft)

Broadway & 47th Street in 1970.

1 9 7 1

These are some of the most popular flicks released in 1971. Some of them did good business through 1972 as well. 

Dirty Harry, directed by Don Siegel, starring Clint Eastwood, Andy Robinson, John Vernon, Reni Santoni

The Devils, directed by Ken Russell, starring Oliver Reed and Vanessa Redgrave - (U.K.)

A Clockwork Orange, directed by Stanley Kubrick, starring Malcolm McDowell - (U.K.)

The Boy Friend, directed by Ken Russell, starring Twiggy - (U.K.)

Bananas, directed by and starring Woody Allen, with Louise Lasser and Howard Cosell

The French Connection, directed by William Friedkin, starring Gene Hackman, Fernando Rey, Roy Scheider - 5 Academy Awards including best film, director and actor

Klute, directed by Alan J. Pakula, starring Jane Fonda (Oscar winner) and Donald Sutherland

Nicholas and Alexandra, directed by Franklin J. Schaffner, starring Michael Jayston, Janet Suzman, Laurence Olivier, Jack Hawkins - (U.K.)

Play Misty for Me, directed by and starring Clint Eastwood, with Jessica Walter and Donna Mills

Sacco e Vanzetti, starring Gian Maria Volonté - (Italy)

Shaft, directed by Gordon Parks, starring Richard Roundtree

Summer of '42, directed by Robert Mulligan, starring Jennifer O'Neill and Gary Grimes

The Abominable Dr. Phibes, starring Vincent Price - (U.K.)