Tuesday, 4 June 2019

Ironbound RAILWAYS

Ironbound as the name itself says is 'bound by iron' or iron rails... But there's one particular railway I'm concerned with which is that bridge that crosses over the main network of rails in this photo.

This particular railway link would go towards Ferry Street, It actually crossed Ferry Street somewhere... 

I remember it particularly well because in the summer of 1972, I was homeless for a period and I used to spend some of my time wandering through  its ways. 

Aerial view of Newark's Pennsylvania Station in 1935.

Four kinds of transportation enter Newark's new Pennsylvania Station on 4 levels. City transit lines take to the subway, while the inter-city trains from downtown New York, via the Hudson tubes, will emerge on elevated tracks still under construction on the left. Busses and taxicabs arrive on surface levelThrough trains pass under the long shed on a fourth level. Escalators convey travelers in the covered passageways across the roof. 

Wilson Avenue bridge rail-car transporting scrap metal on tracks...
Ironbound...
Ironbound...
Penn Station Market Street exit... 

Newark movie-theatres

Believe it or not, Branord Place had two theatres on the same block. At 11-23 there was the magnificent Branford Theater. A little further up before you reached the next block there was the Adams Theater on 28 Branford Place.
Michelangelo Antonioni's 'Blow up' was released on 22 December 1966.
Branford Theater on 11-23 Brandford Place in 1927.
Branford Theater showing 'Congorilla' in 1932.  
John Steinbeck's play 'Of mice and men', is shown here at Newark's Adams in 1937. It was turned into a film and released in December 1939. 
Leo McCarey's 'Going my way' was released on 3rd May 1944, and was the highest-grossing movie of that year wining the Academy Award as best picture. Bing Crosby got his Oscar as best actor. 
Adams Theatre on 28 Branford Place circa 1945 with the Randy Brooks Orchestra playing live; Randolph E.Brooks (*15 March 1919 + 21 March 1967) began on trumpet at age 6, and by 11 (1930) was touring with Rudy Vallee. Brooks found his own band in 1944; among his hits for Decca Records were 'Tenderly', 'Harlem Nocturne' and 'The man with the horn' but his swing-based style & large ensemble were out-of-step with the times, and his success eroded toward the end of the 1940s.
1970.
Adams Theatre in 2004.
Shubert Theatre on Branford Place.
Keeney Theater at Branford Place in 1918.

Keeney's Theater on Branford Place, was the 3rd of 4 incarnations for this building. It opened as the Shubert Theater in 1912, The Payton Theater in 1913, Keeney Theater in 1918 until 1931 when its name was changed to the Adams Theater.
Loew's Theater on Broad Street & New Street showing Robert Downey Sr.'s 'Putney Swope' released on 10 July 1969 double-featured with 'The Southern star' (L'Étoile du sud). 
Loew's State Theatre, Broad Street. 
1958.

1923.
1942
'Caesar and Cleopatra' opened on 6 September 1946.

The Loew’s State Theatre was part of a 1921 Loew’s building boom that included four theatres by architect Thomas W. Lamb, this one plus the flagship State Theatre in Times Square, NYC; the 83rd St. Theatre also in Manhattan on Upper Broadway; and the Gates Theatre, in the Bushwick section of Brooklyn.

The Newark Loew’s State Theatre first opened on 12 December 1921, presenting vaudeville and a first-run feature movie. Due to its Loew’s affiliation, it was always considered one of the top theatres in downtown Newark. I saw my very first movie there, “The Wizard of Oz”, in its original 1939 release. I lost track of the theatre when my family moved to NYC, but I think that it remained a Loew’s for its entire lifetime. It was closed in 1977, and was demolished in 1978.

National Theatre showing 'Butterfield 80' in 1961

National Theatre on 182 Irvine Turner Boulevard, Newark, JN 07108. It was opened in 1914 on what was original named Belmont Avenue. In the 1940s, it began to cater to the African-American audience. 

National Theatre on 182 Irvine Turner Boulevard, Newark, JN 07108.

The National Theatre on Belmont Avenue in Newark was an important institution of leisure and entertainment for Newark’s Black communities. WPA Photographs, NJ State Archives.
Market Street remnants of an old theatre marquee.
Market Street... see Paramount Theater sign on the right-hand side... 
The Rivoli on 208 Ferry Street, in the Ironbound showing 'The mummy' with Boris Karloff, released on 22nd December 1932

The Rivoli Theater was opened in 1920. Second-run house serving the Polish and German immigrant community during the 1940s and 1950s. The area changed dramatically in the 1960s and is now a thriving Portuguese and Spanish neighborhood.

I remember only the majestic Greek columns on the exterior of the building and a very ornate mezzanine lobby. As far as I know, the building is still pretty much intact and serves as a furniture showroom.
The Rivoli Theatre play bill of 28 February 1926.

Franksantos7 wrote on 15 July 2005:
 
For the record, the Rivoli is now a furniture store; the bank is next door. I know. I was there every Saturday morning in the mid to late 50s.

I can still remember the ticket booth on the right, walking through the ornate doors, up the slight inclined floor, the snack bar on the left. A quick right, then left into the theater, or right at the snack bar, then right again up the stairs to the mezzanine. At that time the afternoon’s delight was 25 cents.

Chris Marashlian wrote on 20 November 2016:

Remember going to the Rivoli for Saturday afternoon horror matinee movies from the mid to late 50s. Matinees were 15 cents and later Saturday evening shows were 25 cents. Great memories of those days live on!



Ironbound's movie theatres

Ironbound is such a small part of Newark that's amazing to think that Ferry Street alone  had two movie-houses in the 1930s & 1940s.

Rivoli Theater on 208 Ferry Street, Newark, N.J. 
the Rivoli Theater was where Leslie Furniture stands today... it must've been shut in the 1950s. 
208 Ferry Street - Newark, N.J. - 28 February 1926 - The Rivoli Theatre 

Rivoli on 208 Ferry Street, Newark, N.J. - 'The Mummy' released on 22nd December 1933.
172 Ferry Street - Ironbound Theatre turns into PIC Theatre on 15 October 1946The Ironbound Theatre name is clearly visible on the white façade.

The Ironbound Theatre was opened circa October 1921. It reopened as the Pic Theatre on 16 October 1946 and retained this name thru at least 1951. Later reverting back to the Ironbound Theatre name. It was still listed in the 1956 Film Daily Yearbook. After closing this former theatre housed retail shops on the street level and the International Tae Kwon Do Academy on the second floor. By 2018 it housed a garage for a bank and a bakery.

PIC Theatre opened its new phase with a last-year-movie: 'Story of G.I.Joe' with Robert Mitchum had been released on 18 June 1945
Double-featured with 'Story of G.I. Joe' was LeRoy Prinz's 'Fiesta', a technicolor extravaganza released on 28 November 1941. Judging by 'Fiesta's plot one may infer that the Ironbound's Iberian-Latin population was on the increase: Don Juan Hernández's niece Cholita (Ann Ayars) returns to her village from Mexico City announcing she will not marry José (Jorge Negrete), her village boyfriend, bur rather the radio star Fernando Gómez (George Givote) who has accompanied her home. José enlists two of his friends to pose as bandits to frighten the arrogant and cowardly Fernando and win Cholita back.

Monday, 3 September 2018

1975

Newark's Pennsylvania Station waiting room during summer time. 


After having stayed in S.Paulo for 2 years I thought it was about time to have another go and headed back to the States to catch up where I had left off in early 1973.

It was really painful to realize there's no such a thing as a 'second time around' and I learned it the hard way. I thought I would go back to the same job at the record factory. Things had moved on and I was sort of lost - all by myself - in a room I'd rented in Columbia Street, right opposite to Enriqueta's house which I had lived in mid-1972. It seemed like life had given a full circle and I was back in the same street of 3 years before. 

Newark with my cassette-stereo playing  'Love will keep us together' with Captain & Tenille, #1 at Billboard.

Billboard's Top Five on 5 July 1975

1. Love will keep us together - The Captain & Tenille
2. The Hustle - Van McCoy & The Soul City Symphony
3. Listen to what the man said - Paul McCartney & Wings
4. Wildfire - Michael Murphey
5. Love won't let me wait - Major Harris

My old friends and acquaintences in Newark, N.J. were all gone or had moved on to better things. Guto had married Rose Nevoso and was living in Englewood, in Bergen County, Northern New Jersey, sharing a house with Rose's parents, far away from old Brick Town! Damazio was back in Brazil. Everyone I knew in the record factory had moved somewhere else.  

I phoned Guto and told him I had brought a gift from his sister Alice in São Paulo; she lived on Avenida Brigadeiro Luiz Antonio, two blocks passed Av. Paulista heading towards Ibirapuera. He said he'd meet me after work; he'd drive his car from Englewood to Newark around 5:00 pm. I waited for his car outside my boarding place on Columbia Street. Rose came along with him. Guto introduced her to me and I knew instantly Rose was a special person. I gave Guto his sister's packet and they invited me to go back with them and visit their place which was in a leafy neighbourhood starkly different from barren Newark.

Guto drove, Rose sat by his side and I stayed in the back seat. We would not stop talking during the drive north. The radio was constantly on and I remember distincly well Paul McCartney's 'Listen to what the man says' playing along. Rose mentioned that some of their friends would go and see Paul, Linda & Wings at some arena in N.J. very soon. I had an idea everyone of their friends was either married or in a relationship.    

That's when I realized Rose was a pop culture freak. She knew a lot about rock bands, Motown hits from the 1960s, show business and current affairs. She was also an expert in the progressive rock scene which is how she met Guto in the first place. They had met in a nightclub in OrangeNJ where British band Supertramp used to play before they became mainstream rock-stars. They were both sort of Supertramp-groupies and met weekly until they started going steady.

Rose was a dynamo! I never forget when she mentioned Trade Union boss Jimmy Hoffa's corpse had probably been dumped near a local waste incinerator and a landfill in the swump-land area in Jersey City. I was impressed with her knowledge. 

When I mentinoned Don McLean's 'American pie' had been much scrutinized by the public in 1971-1972, she retorted Melanie's 'Brand new key' had been much more thouroughly figured out by the media and the populace during the same period and she went on to explain that when Melanie sang 'I've been all around the world' it was double-entendre for having perfomed all kinds of sex positions. I was tremendously impressed by Rose's knowledge and my own utter ignorance. 

Guto and Rose lived with her mother and the rest of the family. I think she had a sister. They were from an Italian background. Her mother had been born in the United State and spoke English as a native. I remember she used the form 'ain't' freely. I thought it quaint and gave me a notion she was a wise lady who knew what she talked about. At that particular summer they were hosting Guto's younger brother who had been visiting the USA for some time. He apperead to have become part of the family and could even speak some English which he attempted at every chance. Rose's mother seemed to have had a good rapport with Guto's brother. I felt that was a happy family. That was the only time I saw Rose's mother but I never forgot her. They were Catholic and very Italian in some way... but Americans nothetheless. 

When Guto & Rose brought me back to Newark I had a sinking feeling in my stomach I was at the bottom of a pit which would be quite hard to climb out of ! I remember distinctly well Guto's car radio playing Carly Simon's 'Anticipation'. Rose mentioned the tune & and singer who had risen to popularity with 'You're so vain' in late 1972. Funny, I remember myself & Guto in a car driven by a Paraense friend of his who had lived in the US since childhood. We were in the New Jersey Turnpike heading towards Manhattan on a Saturday night and 'You're so vain' with a duet that famous duet by Carly Simon & Mick Jagger came on. I thought Rose was glamorous in a pop culture sort of way.  

When Guto left me back on Columbia Street I was dispirited. I felt dejected but I knew I shouldn't allow myself to wollow in self-pity in such a juncture in my life. I thought of Newark itself and the Ironbound as not belonging to me. Too much had happened these past 2 years in Brazil and I felt I had been left behind. Guto might probably be tired of having worked as a lathe operator in the scissors' factory the whole day and then having to entertain an old friend in the evening until pretty late.

Thelma Evans aka Bern Nadette Stanis actress from 'Good Times'.

Friday, 22 September 2017

Kutsher's Country Club memorabilia

Floyd Patterson at Kutsher's in 1958.

Kutsher's staff unwinding in the dining room - 1976; courtesy Philip Libovits.


Sunday, 20 August 2017

Grossinger's

Once upon a time... at the Grossinger's.

There’s graffiti in the ballrooms where Johnny might have taught the cha-cha, and the ceiling is falling down in the dining room like the one where Baby was fatefully seated in a corner.

But the long-defunct Catskills resort that served as the inspiration for 1987's ‘Dirty dancing’, the fictional Kellerman’s in which Baby and Johnny had the time of their lives, stands to be reborn after the owner applied for state help to clean up the contaminated ruins. It is the first step in a plan to bring a glamorous resort back to the site, and perhaps, with it, a bygone lustre to the storied but tattered Catskills itself.

The resort, Grossinger’s Catskills Resort Hotel, began its life in the 1910s, and in its heyday was the fulcrum of the swirling mid-century vacation scene in the Catskills. It was a region where New Yorkers, predominantly Jews, spent their summers in one of more than 500 hotels that thrived in the area. All are now gone.

In the spring, Louis R. Capelli, a Westchester-based real-estate developer who has owned the complex for 2 decades, applied to the State Department of Environmental Conservation requesting that a portion of the property be designated a brownfield, or contaminated site. The former resort is now a hodgepodge of scores of crumbling buildings on hundreds of acres, land he says is laden with chemicals spilled by dry-cleaning and machine repair shops. Such a designation would make the property eligible for state funds to help with remediation of the soil and groundwater, a necessary first step, Mr. Cappelli says, to bring back the world-class resort.

Grossinger’s was considered the most glamorous of the Catskills’ resorts. It was visited by politicians and celebrities and was where Eddie Fisher and Elizabeth Taylor were married. And while it never in fact hosted Jennifer Grey or Patrick Swayze, the stars of ‘Dirty dancing’ (the movie set was in fact spread out across several Southern resorts), it was among the resorts that are said to have inspired the writer of the film, Eleanor Berstein, cementing its reputation for another generation.

Today its swimming pool and gazebos sit in ruin outside the village of Liberty, N.Y. Vines and grass are reclaiming it, fighting with graffiti to cover the tumbledown bungalows.

‘It was much grander than anyone could imagine today, especially looking at what remains here,’ said John Conway, the historian of Sullivan County, where Grossinger’s is.

According to Mr. Conway, it was the advent of the ‘three As’ that caused the demise of the region and the hotel. ‘Airfare’, he said. As flying became more accessible, the Catskills could not compete with more exotic destinations. ‘Air-conditioning’. Who needed to escape the city heat when you could just push a button for a cool breeze? And ‘assimilation’. The Catskills as recreation centre was born, Mr. Conway said, because ‘Jews were not welcome in a lot of areas, so they created their own’. The need for the Catskills diminished, he said, as Jews became more accepted into general society.

Mr. Cappelli, who bought the place in 1999, more than a decade after the Grossinger family had ceased operations, envisions a grand future: a conference centre, housing, spa and chalet-style lodging. It is a bet that piggybacks on the crowds that he hopes will come to the Resorts World Casino, a $750 million complex opening next year in another former ‘borscht belt’ destination, the Concord Resort Hotel in nearby Kiamesha Lake.

‘For 17 years I’ve been a lone wolf trying to do this, and I really haven’t been able to accomplish it because of the enormity of the taks,’ Mr. Cappelli said. ‘But now that the casino is in fact going to be opening up there, I think the opportunidy now exists to have this kind of original dream come true.’

A first step, he says, would be cleaning the soil. To qualify the land as a brownfield, developers must demonstrate that certain contaminants are present up to a certain threshold. The designation allows developers to get tax credits to offset the cost of cleanup.

Remediating soil and groundwater is a complex task, according to Robert Schik, who directs the conservation department’s environmental remediation division. To rid soil of chemicals like perchloroethylene, or perc, used in dry-cleaning, air is sucked out of the earth to extract the contaminant, he said. To treat groundwater contaminated with gasoline, workers force oxygen into aquifers, which causes the gasoline to break down into less harmful components.

The application for remediation at Grossinger’s is still pending, said Julia Tighe, the department’s chief of staff; Mr. Cappelli’s company applied to have 72 acres designated brownfield, but has not sufficiently demonstrated that all of it was contaminated, she said. On July 26, the state sent a letter asking for more information.

But Mr. Cappelli’s plans continue – the golf course is already undergoing refurbishment – tough what shape the future resort will take is still in flux.

‘Do you want to bring back the old and have some flavor of what was there in the 1950’s?’ he said, referring to the options he has considered. ‘I want to build what is a 2017 model of Grossinger’s – with some sort of memories still there.’ Instead of bungalows where Baby and Johnny carried out their romance, he imagines Napa Valley-style chalets set deep in the woods. Recreation would be more like yoga than the rumba.

As Max Kellerman, the fictional resort owner in the 1987 film, said, ‘You think kids want to come with their parents and take fox-trot lessons?’ Owner hopes to remake resort that inspired ‘Dirty dancing'.

by Sarah Maslinnir

The New York Times, 9 August 2017.