Wednesday 18 January 2012

Newark's PENN STATION in 1935

Newark skyline seen from Pennsylvania Station's lift-bridge in 1935.
Opening day in 1935. 
Penn Station in 1935 - Platform Bridge over Market Street.
Raymond Plaza in the 1950s. 
1941
Penn Station Waiting Room. 
Newark passenger station, Pennsylvania Railroad waiting room. 12 June 1935.
Four kinds of transportation enter Newark’s new Pennsylvania Station on four levels. City transit lines take to the subway, while the inter-city trains from downtown New York , via the Hudson tubes, will emerge on elevated tracks still under construction on the left. Busses and taxicabs arrive on surface level. Through trains pass under the long shed on a fourth level. Escalators convey travelers to the covered passageway across the roof.

Newark's Pennsylvania Station opened between 1935 and 1937 as a project to consolidate transportation in Newark. The station has a grand design of art deco and neoclassical and is on the National Register of historic places. The station combined Pennsylvania Railroad trains, H&M (now called PATH) trains, these all stop on elevated tracks and platforms, and the terminus of the then new underground Newark City Subway used by trolleys. Trolleys (replaced with modern Light Rail vehicles in 2001) still operate from their underground terminal, the only portion of the station that is underground. The stop is also a major hub for New Jersey Transit buses. One separate wing off the main train station is also the Greyhound Station including its Bolt Bus Subsidiary to Washington, Baltimore, Philadelphia and Boston. The station has its own distinctive signage system with black all capitals text between red lines that tries to compliment the original silver signs etched in the walls of the station.

The exterior of the station, including the fully enclosed elevated platforms where they cross Market Street and Raymond Blvd are clad in either white marble or tiny mosaic tiles that resemble marble. There is tons of decorative ornamentation that include medallions illustrating the history of transportation in the main waiting room and various other little pieces of ornamentation on the exteriors of the fully enclosed, mostly canopied (with gaps allowing natural light in and the steam and exhaust from steam/diesel locomotives out) and walled off platforms. A lot of this ornamentation is the logo of the Pennsylvania Railroad distinctively etched into many places.

The best place to start a station tour is in the main grand waiting room. This waiting room is along the northwest side of the station, just northwest of the tracks along Raymond Plaza West. The area has separate lanes for through traffic and a passenger drop-off pull off that includes a taxi stand. Entrances are from a plaza at the corner of Market Street and the main entrance from the drop-off loop. This main entrance has a grand silver awning beneath the glass that has the text for Pennsylvania illuminated at night. 

Inside the main waiting room is a grand, high cathedral ceiling with blue tiling and silver chandlers hanging down. Windows on the west side of the waiting room provide plenty of natural light. In the center are many wooden benches. Each of these benches is numbered and has the PRR logo etched in silver on each end. There is a sign above each bench saying 'Seating for Ticketed Passengers,' only as excuses to kick the homeless out

Two separate ticket offices, one for Amtrak and one for New Jersey Transit are along the south side of the waiting room. NJ Transit TVMs and Amtrak QuikTrak kiosks next to their respective ticket offices where more ticket windows once were. At the north end of the waiting room are a few concessions, a Ducken Donuts juts out from the south wall into the concourse and behind it, in the corner are two more. In the center of the waiting room across from the main entrance is an octagonal and orange glass roof information booth, staffed by New Jersey transit. On the south side of this information booth, beneath a tall arch is the main corridor that leads beneath the tracks and provides access to the platforms. Above this arch, at the entrance to the platforms is a slightly more modern Solari Flip board that lists the next 8 departures (along with the arrivals of terminating trains). This flip board and all television monitors throughout the station show both Amtrak with a yellow background, and New Jersey Transit with a background color relevant to the line trains. All train information displays in this station are completely integrated (unlike New York's Penn Station) so there is no need to find the right railroad's display.

To reach the tracks passengers go beneath the Solari board and onto the Main Concourse lined with shops between the platform staircases. From the waiting room there on each side of the concourse is first a staircase and a staircase/up escalator (on the south side of the concourse) to the platform for track 5. Next is a connecting walkway that leads to the left to the North Concourse and to the right to another station entrance to the Market Street Bus Lanes for those connecting buses. Continuing straight are two staircases (the southern ones also have up escalators) on each side to the platform for tracks 3 and 4, followed by track 2/PATH, next is the second connecting passageway to the North Concourse followed by a single staircase/escalator up to track 1/PATH. The passageway ends at two staircases up Track A. These are between the exit doors out to Raymond Plaza East and Market Street, a small corridor leads to the elevator up to Track A. The exit here has a similar grand silver awning and only leads to Market Street. Here is also Raymond Plaza East which is the service side of the station. It prohibits through car traffic except for those going to a parking lot just south of the station. This is where the station's loading docks are and silver lettering above them says Baggage-Mail-Express, left over from the days when baggage and express service was a more important part of passenger trains.

The other main corridor is the North Concourse. The eastern end begins with a staircase and elevator up to Track 1/PATH followed by the connecting passageway to the Main Corridor. This connecting passageway (along the Raymond Plaza East Side) is where the Amtrak Checked Baggage & Package Express Office is. It is on the opposite side of the station from the ticket offices. Here are glass doors that look like your entering the store to reach the baggage counter and no real baggage claim area or carousel for claiming your baggage (I've never checked a bag to Newark and did try and watch an arriving long distance train passengers claim their baggage but it isn't clear where this is done except by just standing outside the baggage office).

The center of the North Corridor has Police Stations for both New Jersey Transit and Amtrak, as well as Amtrak customer service, on the west side, but also a series of kiosk vender stands in the middle of it. It's less busy than the Main Corridor and the venders don't seem to get in the way of the circulation in the station. There are also non-passenger freight elevators up to most of the platforms from it (form Amtrak baggage service). Next is the elevator up to Track 2/PATH. This is followed by the main passageway to the exit to the four main Raymond Boulevard Bus Lanes. Along this passageway are glass automatic exit only doors that lead out from the escalators that run up only from the two Newark City Subway exit platforms (their platforms 4 and 5), and arrive in front of a mural of jazz players, The New Spirit Ensemble by Mel Clark. This passageway leads down about ten steps with a separate elevator to the bus lanes. The 4 Raymond Boulevard Bus lanes include various enclosed areas with actual doors (more than just bus shelters) for waiting bus passengers. After this exit is the elevator up to tracks 3 and 4. We then reach the northern end of the line of kiosks and an important access area. Here the second connecting concourse goes over to the main concourse. A staircase leads down to the entrance via staircases to the Newark City Subway station followed by its elevator separate from the staircase, another staircase leads up to track 5. There are then three escalators that lead up to the Gateway Concourse on the Upper Level. To round out what is at the end of the North Concourse is a corridor to doors into the small and cramped Greyhound ticket office and waiting area. The concourse ends at another set of doors that lead out to Raymond Plaza West, these doors have a similar grand silver awning but running just above the awning into the second level of the station is the modern glass skywalk that connects the station to the Gateway Center and via another connecting skywalk to the Legal Central.

This Skywalk described above leads to the Gateway Center Concourse which is more of an intermediate landing than another concourse. It is at the same level as the main railroad tracks (except for exit platform for Track H, that serves terminating PATH trains on a third level basically in the roof of the station) and connects to two escalators down from the exit Track H and to the glass Skywalk across Raymond Plaza West to the Gateway Center and connecting to another Skywalk across Raymond Blvd to the Newark Legal Center.

The Greyhound station is a cramped area with generic benches, a small ticket counter and its own less grand set of doors out to Raymond Plaza West almost directly at the bus loop. This door has a smaller curved silver awning above it that says Greyhound (where Pennsylvania is normally written). This station I believe has been used by Greyhound since the Station's opening. Greyhound lacks its own dedicated bus bays and buses simply stop outside the small waiting room.

There are two more concourses that connect railroad and PATH passengers with the street, both feel much more modern, have limited hours (were probably not part of the original plans for the station) and the only way to get from these concourses to the main station is by walking along the station platforms. The more substantial one is the Raymond Boulevard Concourse at the northeastern end of the station, just before the station ends at the Dock Bridge. It is open Monday to Friday (from about 6am to 8pm only) and was (at least last renovated around 1999, or built new). This concourse has just two entrances, one is at the southern, eastern end where Raymond Blvd East curves and becomes Commercial Street leading to a parking lot on the Passaic River. The other is towards its northern end where doors lead out beneath the train tracks to the north side of Raymond Blvd. Inside the modern concourse are a few concessions areas and storefronts although many are closed. There are NJT TVMs and a departure monitors. An elevator (secondary to the main ones) leads up to each of the five platforms, tracks 5, and 4/3 have an up escalator and staircase. Tracks 2/PATH and 1/PATH get two narrow escalators one up and one down. Track A has a single escalator that was off when I visited the station. Track A is normally only used by discharging, terminating Raritan Valley Line trains.

The final Market Street Concourse is at the opposite southern/western end of the platforms. It isn't a connected concourse but simply a single staircase that leads down from each platform to separate glass doors to the west side of Market Street. Each of the tracks is labeled from the sidewalk. There are next train departure monitors directly above the sidewalk and displays list the station stops of the next trains at the entrance to each track. There is a small Bus Waiting Area (as it is labeled similarly to the platforms) between the staircases up to Tracks 1 and A. This concourse has extremely confusing weekday rush hour only hours (approximately 6am to 9am and 4pm to 8pm, closed by 9:30am), for passengers entering the platforms but the doors are always open for exiting. These hours aren't posted before going down a staircase to exit the platforms, leading to frustration (your webmaster once) trying to open locked doors to get back up a platform when changing trains and being forced to cross Market Street.


1957.
Edison Place or Raymond Plaza in the 1950s.

Gimbles on Herald Square

Here's myself in February 1972, at the very spot... the passage from the 33rd Street Path Station to Gimbels' Department Store. Photo shot by Damazio Nazare. 
Once upon a time, there was a Gimbel’s across from Macy’s in Herald Square. And, underneath Gimbel’s, a “Gimbel’s Passageway” which connected the 34th and 6th Avenue Herald Square BMT-IND subway station (currently served by the B,D,F,V and N,Q,R,W), with the PATH train, IRT Penn Station Subway (1, 2, 3 trains at 7th Avenue), IND Penn Station subway (A, C, E at 8th Avenue), along with Amtrak, LIRR and NJ Transit all without going above ground (anyone who has had to make the connection from the 6th Avenue/Broadway Line or PATH to Penn Station can relate to the futility of having to go upstairs, walk west on 34th Street, only to have to go back down stairs).
As you know, Macy’s won the day, Gimbel’s shut their NY store in 1986 (it became the Manhattan Mall, with itself is undergoing many renovations) and the passageway was shut due to “security issues”.

But a new plan for 15 Penn Plaza, a commercial tower set to replace the Hotel Pennsylvania may actually have the tunnel reopening again, and another piece of forgotten NY may re-emerge from the doldrums. Here’s for reopening the passage and being able to retell the story of some iconic pieces of NYC history.
(via Gothamist, NY Times, Wikipedia, and my noggin)

see this wonderful site about the tunnels:  http://www.erictb.info/33passage.html


Macy's on the corner of 34th Street & Broadway; El on the 6th Avenue in July 1936.
34th Street & Broadway on the same day in July 1936.  
Macy's Dept Store on West 34th Street & Broadway in Herald Square in September 1942
 Herald Square in the 1950s
Looking north from Greeley Square with the Gimbles and Saks bldgs on the left, 1965.

In 1967, discount retailer Korvette's moved into the Saks bldg. They 'modernized' the façade, as seen below. Founded in 1947 by Eugene Ferkauf in a small store on 5th Ave and W 47th St. Korvette's expanded quickly, with 2,684 stores in operation by the mid-1960s. 
same view as above in 1969. read more about this place at: http://nyccirca.blogspot.com.br/2013/05/saks-and-gimbels-on-sixth.html
Korvette Herald Square concept; it finally opened in 1967, slightly different...
through the tunnels... 
 Gimbels seen from the air.
32nd Street & 6th Ave. on 8th September 1980.
Saks building at W 33rd St with its competitor Macy's one block north at W 34th St. 1902.
Herald Square in 1920; Macy's Store on the left and McAlpin Hotel on the right... 
This photo's negative has been developed the wrong way... Macy's Dept Store moved to the right of the picture and the McAlpin Hotel went to the left. 
Herald Square - Broadway, West 34th Street towards James Gordon Memorial; Hotel McAlpin and Crawford's on the right and Greenwich Savings Bank on the far left. 

Gimbels on 24th January 1910 - 6th Ave. & 32nd St. with Penn Station in the background.

Ironbound in the 1970s

Pardon me, this is not exactly Newark in the 1970s but judging by the looks of the cars it must be Newark in the 1950s. This is the post-card I sent my folks back-home in Brazil when I went to live in Newark in 1971. I remember distinctly well that there was no Woolworth's on Broad Street then. Newark was a city in a very rapidly stage of decay then.
Market Street in 1982
Broad Street 1953 (or 1945?) showing S. Klein Store and the new Art Moderne façade on McCrory's.
Kresge Deptment Store closed its doors 1964.
'Two Guys from Harrison' opened its doors in the Fall of 1967, where Kresge had been since the 1920s.
This is the infamous 'Sing Sing' apartment building on Lexington Avenue in Newark. I took this picture in 2001 but apart from the few cars parked by the curb it looks exactly like it was in the 1960s and 1970s. Nowadays the streets surrounding the complex is much cleaner than it used to be in the 70s when it was a health hazard to stroll down the sidewalk because people used to throw stuff from their windows into the street. Times have changed a bit in the Ironbound, Newark, N.J.
Elm Street in the summer of 2001. Except for the cars' models it might as well be the summer of 1972.
Synthetic Plastics Co. on Francis Street; a factory where I worked making 45 rpm vynil records in 1972 and 1973.
Same factory, different angle... photo was taken in 2001 but it might as well be 1971.
'Brazilian Go-Go Bar' at the corner of Wilson Avenue & Barbara Street. I lived on the 2nd floor just above the juke-box where they blasted Diana Ross's 'There ain't no mountain high enough' and Rod Stewart's 'Maggie Mae' many-a time.
A diner near 'Sing Sing' where I heard Led Zeppelin's 'Black dog' for the 1st time.
Saint Stephen's on Ferry Street; on the right is Wilson Avenue which up to the Great War was called Hamburg Place.

St. Stephen's Church is an Ironbound landmark. Built in 1874 for a German-speaking congregation, which it remained until the 1930s, the church is still Lutheran but uses Spanish and Portuguese in its services. The architect was George Staehlin and the interior has some of the most ornate woodwork in Newark. The church is shown as the first alien spawning point in Steven Spielberg's 'War of the Worlds'. Locals call this site "As Cinco Esquinas/Five Corners."

Wilson Avenue 

Walking up Ferry Street and Wilson Avenue was a particular pleasure when I was new in the neighbourhood. After paying a visit to Tia's newsagency on 112 Ferry Street I would hang around the vicinity chatting to Brazilian fellows that one was bound to meet. At the corner of Ferry & Wilson there was a Greek restaurant called Andros that kept its door open 24 hours a day. 

On its first block there was Wilson Avenue Public School which sometimes could be noisy with students. On the right-hand side a little further up there was a house in which 3 Brazilian young men from Franco da Rocha lived. Luiz aka Dentinho worked with me at the record factory on Francis Street - he was a 'paste man' who delivered the hot vynil paste to all of us machine operators who then cut it in a few measured pieced that would make two 45 rpm singles at a go. Luiz wore an overall which were really popular among youth in the early 1970s. He shared this flat on the 2nd floor with Alfredo and an older fellow I can't recall the name. This particular fellow sported long straight hair and he had a Mustang. Owning a 2nd-had Mustang was 'must' among Brazilian young males. I remember visiting them one night after I had been to Manhattan and bought the 'West Side Story' sound-track album. They had a record player and put the record on. As they were too young to know anything about a 1961 musical flick and listening to Marnie Nixon's soprano voice they looked at each other, sniggered and thought I was an 'old man' or completely bonkers. It must have been mid-November 1971. At this point on Wilson Avenue the 3 boys could hear the bells from Saint Stephen's Lutheran Church. They told me that particular night they usually got really sad near Christmas when they heard the bells tolling for they remembered their family left in Brazil. They must have been in the USA for at least 2 years to have this feeling of despondence. The fellow who had a Mustang must have been in the US longer than 2 years. 

The travel agency on the same side as Alfredo's flat and so was the washing machine place I used to do my laundry. 

As we got nearer Lafayette Street there was Pathmark, the biggest supermarket in the Ironbound. I was impressed with almost everything in that supermarket especially the huge sizes of one-gallon milk cartons. 

There was a musical instrument store on the left-handd side of Wilson Avenue a few houses up from the Pathmark. It usually had nobody inside. I went in a few times and once I bought me a guitar-capo made by Dunlop. 

Express bus from Broad Street in Newark to Port Authority Bus Terminal on 8th Ave with 41s Street in New York City circa 1958 or 1959. See the new Prudential Bldg on the left and Kresge Department Stores which would turn into Two Guys in 1967, on the right. 
Broad Street looking towards the new Prudential Bldg in 1969. 
Ferry Street in the Ironbound in 1972. One can see a record shop; I wonder whether this is the record store which had a Sarita Montiel album cover on its window when I arrived in town on 2nd October 1971; further down one can see Lo Biondo's Market (shop & eat) and further still Lisbon Liquors.

John M Abeigon HD wrote: that's Ferry Street between Congress St. & Jefferson St. I lived on the  second door from right.

Frank Vieira wrote: I see Lo Biondo's;  we used to get our lunch there, also the Cubin record store had many exotic instruments. The bakery was on the corner where a stinky BBQ place is now. I was around 13 years old. This is when Ferry Street had some great stores, not like today, nothing but cell phone stores and 99 cent junk stores.

Rosa Cunha Henriques wote (from Portugal); If I remember well this should be between Jefferson St. & Madison St. 

Wynona Russell wrote: I lived down Neck in the 1960s. Does anyone remember Mr Frankie Rose's store? He sold candy, ice-cream & sandwiches; he sold just about everything in his little store. It was next to Jefferson Street. He was the sweetest old man; he always gave my Mom credit. He was down there for many years; since the 40s, 50s & 60s. He reminded me of Jimmy Durante, that funny piano man on TV. He always wore a Durante hat. Maybe someone knows my brother Rollen F. Burns; he graduated from Lafayette Street School and went to Eastside High School and graduated from there in 1969 or 1970. 
Lafayette Street School kids anticipating 1956 Christmas; Dyamond Vasquez, Elaine Amador; Pau Eng-Wong & Joseph Evangelista. 
Delancey St. & Jefferson St. in 1961
The 2-story-house on the corner of Wilson Avenue and Barbara Street where I started living on 2nd October 1971. It used to be the colour of red brick...apart from that it looks almost the same of 51 years back.